The Matchmaking

A true story behind a photograph from the Mitos Project.

I was invited to Leonidio to photograph an old, beautifully preserved traditional costume.
The photoshoot took place in a grand mansion – one of those stone-built houses with heavy wooden doors, high ceilings, and a sense of mystery in the walls.
The main sitting room was large and full of light, with tall windows on three sides. That, they told me, was where guests were welcomed – and where marriage arrangements used to take place.

And then someone told me about a secret room.

High above, almost hidden above the sitting room, there was a small enclosed balcony – sealed off with wooden latticework. From the inside, you could see everything – but from below, no one could see you watching.

That’s where the daughter of the house would go, together with her mother, every time a suitor arrived with his parents for a matchmaking visit.
And there, the daughter did something rare for her time: she chose.

If she liked the young man, she would whisper softly to her mother: “yes.”
Then, the coffee served to the suitor’s father was sweet.
If not, the coffee was bitter.
And the conversation ended politely.

I photographed the traditional costume there, in that same sitting room, with the afternoon light gilding the old wooden surfaces.
And then I stood in silence for a moment, looking up toward the hidden room.
It was still there. Closed. Full of shadows – and memory.


A Small Act of Freedom

This story, as “sweet” as it may seem, carries something profound.
Something worth telling – and remembering.
Because it teaches us much about how women of the past loved, chose – or were not allowed to choose.

The daughter in this house had a voice.
A quiet, hidden voice behind the wooden screen.
She did not decide publicly, but she could say no. And that was not at all a given.

In many other families, especially poorer or strictly traditional ones, the daughter’s opinion meant nothing.
Marriage was a contract between fathers and dowries. The girl was not consulted. She stepped into a role – without ever choosing it.

That’s why this “symbolic freedom” matters.
Perhaps the family’s status, their aristocratic roots, or the social atmosphere of Leonidio gave the daughter a little more space.
Not to speak openly – but to be heard, from the shadows.

And maybe – exactly to protect the image of patriarchal authority – this quiet ritual was designed in such a way.
So that each person could preserve their expected role: the father as the decision-maker, the mother as the executor, and the daughter as the respectful one – while behind the scenes, power was subtly shifting.

A small victory.
And so, in this house, a cup of coffee became a secret code.
A gesture of self-determination – discreet, hidden, and gentle.


📸 What a Bitter Coffee Can Teach a Photographer

1. Listen before you photograph

Photography doesn’t start with the lens – it starts with trust. Sit down, hear the story of the space, the people, the symbols. The image will come later but it will carry truth within it.

2. Every room speaks

Don’t see a space as just a backdrop. See it as a stage where life happened. In this old mansion, the hidden upper room wasn’t just architecture – it was a social mechanism. A place of power, of protection, of silent voice. If you don’t understand that, your photo will miss its soul.

3. Form hides meaning

A traditional garment is never just beautiful. It’s a signifier: of class, of family, of identity – and here, perhaps even of freedom. A woman in traditional clothing is not “stuck in the past.” She is carrying layers of history. Respect that before you shoot.

4. Respect is visible in the image

When a woman shares her story with you, she’s not being “captured.” She’s offering herself. That difference shows – in her eyes, her body, the energy of the frame. Don’t take. Receive.

5. Photography is memory – but also care

A photograph like this isn’t just documentation. It’s a way to bring back a moment of agency that no one ever recorded. A way to honor a quiet decision that meant everything. The image becomes – like the sweet coffee – a signal. Of choice, of dignity, of selfhood.


📊 Statistics

  • 🔹 Only 1 in 5 women worldwide had a say in choosing their spouse in the first half of the 20th century, according to UNESCO heritage research on marriage traditions.
  • 🔹 In Greece, arranged marriages remained common until the 1970s, especially in rural and mountainous areas, with minimal input from the bride.
  • 🔹 Studies in gender anthropology show that “symbolic choices” – like the taste of coffee in courtship rituals – served as covert methods of female agency in patriarchal societies.

These small, subtle signals were often the only way for women to express desire or refusal without publicly disrupting social order.


“The most courageous act is still to think for yourself. Aloud.”
– Coco Chanel


📷 The Mitos Project doesn’t just photograph garments. It reveals stories.
Stories like this one – where every room, every outfit, every cup has something to say.
And where women, even in silence, found ways to speak.

July 24, 2025

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